Jumat, 29 Agustus 2014

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Pencil Sketches: Dickinson/Walser, by Josiah McElheny

This publication brings together Robert Walser’s microscripts and Emily Dickinson’s poem manuscripts for the first time. Although Walser, who was born shortly before Dickinson died, was most likely unaware of her work, both writers were obsessively private as well as peculiarly attentive to the visual dimension of their texts. Walser wrote in tiny, inscrutable script on narrow strips of paper using an antiquated German alphabet that was long considered indecipherable. Only recently have these scripts been shown to consist of early drafts of the author’s published texts. Similarly, Dickinson fitted her poetic fragments to carefully torn pieces of envelope or stationery, which were discovered among her posthumous papers. (W.G. Sebald called Walser a "clairvoyant of the small," and this description might apply to Dickinson as well.) Rarely in literature has the manner in which words are made been so integral to the way they might be read.

  • Sales Rank: #2532718 in Books
  • Published on: 2014-04-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 6.00" w x .50" l, .65 pounds
  • Binding: Paperback
  • 134 pages

About the Author
Robert Walser (1878 1956) was born in Switzerland. He left school at fourteen and led a wandering and precarious existence working as a bank clerk, a butler in a castle, and an inventor's assistant while producing essays, stories, and novels. In 1933 he abandoned writing and entered a sanatorium where he remained for the rest of his life. "I am not here to write," Walser said, "but to be mad."

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Jumat, 22 Agustus 2014

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The Odessa File, by Frederick Forsyth

As the story leads to its final dramatic confrontation on a bleak winter’s hilltop, the question every reader asked at the end of The Day of the Jackal will inevitably be asked again: Can this be fiction?

  • Sales Rank: #1374894 in Books
  • Published on: 1972-09-25
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 310 pages

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63 of 64 people found the following review helpful.
A Story to Remember
By Edwin C. Pauzer
Even the start of the novel is gripping, and it is fraught with coincidences. If John F. Kennedy hadn't been shot, Peter Miller would not have pulled over to listen to the radio announcement. He would have missed the ambulance that he eventually followed. As an investigative journalist he thought he might be following a story. The ambulance's destination was the suicide of an old Holocaust survivor. "No story here," the detective advises him. Shortly thereafter the detective calls to tell him that the old man left behind a diary that describes the unspeakable cruelty he experienced in a concentration camp. Miller reads the story into the night. His attention is turned to one incident he reads over and over again. The diary ends with the old man's plea that someone please say Kaddish, the Jewish Prayer for the dead, for the sake of his soul. The coincidences build from here. The next day Miller decides to hunt a Nazi camp commandant, but not for the reasons we suspect. The story takes Peter Miller through other parts of Germany and Austria where he is being chased by the people he is pursuing. The journalist eventually finds and confronts the Nazi. The ultimate coincidence is revealed. His personal mission has far-reaching consequences.

In the end we learn about the fate of the characters, some fateful and some ordinary. This was the most stirring part for me. A young Israeli paratrooper enters the Hall of Remembrance in Jerusalem. His red beret satisfies the requirement of a yarmulka, and he fulfills the request of the old man whose soul died years earlier in a concentration camp near Riga.

With Forsythe's ability to mix fact with fiction, 1964 was a year in which a number of Nazis were found and brought to justice. Stirring.

This novel is lesenvergnuegen.

Alles Gute!
ECP

45 of 47 people found the following review helpful.
Forsyth's best book by far!!!!!!
By A Customer
After reading "The Day of the Jackal", I thought that there couldn't be a better suspense thriller than this, but I still hadn't read "The Odessa File". Its set in the early 1960's, where a young freelance German journalist comes across the personal diary of an old German Jew who's committed suicide. Reading the diary through the night, the journalist, Peter Miller finds out that the Jew was a prisoner in the Nazi concentration camp at Riga, Latvia during World War II. As he reads on, he's shocked by the graphic description by the Jew of the atrocities committed on the camp inmates by the camp commandant, Eduard Roschmann. Millers vows to track down Roschmann and bring him to justice. But while doing so, he comes across a super-secret organization known as Odessa, which protects Nazi ex-SS members from being captured and brought to justice. When Miller starts getting too close to the Odessa, his life is in grave danger. But he decides that it will end with him bringing Roschmann to justice for his crimes, or with his death.
"The Odessa File", as with all other Forsyth books, has a super-shocking twist in the end, where we get to know the real motive behind Miller wanting to find Roschmann. In the process, Forsyth manages to include The Beatles' short stint in Hamburg, the background of the brief Arab-Israeli war and last but not the least, Kennedy's assasination. As usual, Forsyth's factual knowledge is accurate to the point, and his research is deep and minute. "The Odessa File" is undoubtedly Frederick Forsyth at his very best.

19 of 19 people found the following review helpful.
Kameraderie
By Konrei
THE ODESSA FILE is one of Frederick Forsyth's classics. Cleverly written, meticulously researched, and absolutely readable, THE ODESSA FILE recounts the story of Peter Miller, a young German crime reporter who decides to infiltrate the secret Nazi support network in the early 1960s in order to discover the whereabouts of Captain Eduard Roschmann, "The Butcher of Riga," who sent some 80,000 people to their deaths in the Riga Ghetto.While Miller's outrage at the twisting of Germany by the Nazis is real and intense, his motivations are unclear...until the O. Henry ending.
This is fine historical fiction, melding historical figures (like Roschmann)and fictional characters (like Miller) together seamlessly.THE ODESSA FILE is an intense thriller, and rates as one of the finest and most memorable works of its genre anytime and anywhere.

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Rabu, 20 Agustus 2014

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Drawing Fantastic Furries: The Ultimate Guide to Drawing Anthropomorphic Characters, by Christopher Hart

ENTER THE ALLURING, MAGICAL, MYTHICAL WORLD OF THE FURRY KINGDOM
 
What Is A Furry?
A furry is an anthropomorphic being—an animal with human characteristics. Furries have fascinated artists going back thousands of years and as seen in the influx of animal/human characters into popular culture, interest today is at an all time high. And now for the first time all in one volume, you’ll be able to take the next step to the outer limits of your imagination with the ultimate guide to drawing your own furries—Christopher Hart’s Drawing Fantastic Furries. After a basic lesson in the fundamentals of comparative human and animal anatomies, you’ll learn how to draw an entire menagerie of furry species, ranging from the adorable and charming super-cute furries to the seductive and super-popular glamorous furries to the warriors, wizards, vampires, and demons of the furry occult and fantasy realms.

  • Sales Rank: #585449 in Books
  • Brand: Watson-Guptill
  • Model: FBA-|288588
  • Published on: 2011-03-15
  • Released on: 2011-03-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.86" h x .44" w x 8.46" l, 1.29 pounds
  • Binding: Paperback
  • 144 pages

About the Author
CHRISTOPHER HART is the world's bestselling author of drawing and cartooning books. His books have sold more than 6 million copies and have been translated into 20 languages. Renowned for up-to-the-minute content and easy-to-follow steps, all of Hart's books have become staples for a new generation of aspiring artists and professionals, and they have been selected by the American Library Association for special notice.

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75 of 91 people found the following review helpful.
A "by the numbers" book that will only hurt your artistic development
By Onikaze
First off, Christopher Hart cannot draw, let alone instruct others on how to draw. Christopher Hart books are generally best avoided, and Drawing Fantastic Furries is no exception. In general, most of your "How to Draw" books focused on a specific cartoon niche are worthless. I'm talking about ones like "How to Draw Fantasy Creatures" or "How to Draw Manga Heroes" or "How to Draw Vampires." Not every "How to Draw" book is bad, but those focused on very specific cartoon niches are frequently bad and simply designed to cash in on whatever cartoon subject or style is popular at the time. They're frequently drawn by people who cannot draw themselves. Again, in this sense Christopher Hart is no exception. If you look through his many books, you'll see that his own drawings are amateurish and plagued with horrid anatomy that would make Rob Liefield look like Leonardo da Vinci. Most of the illustrations that actually appear to be good (until you start to dissect the components such as composition and anatomy) are by other artists.

Another problem is that this book, like many of your current "How to Draw" books, is not well suited for total beginners. You generally get a stick figure for the initial sketching, a roughed out model using the "construction method" (breaking the subject down into fundamental geometric shapes), and then the rest of the illustrative process is skipped to show a finished character. This is all well and good for folks who are familiar with the general process of drawing a subject and know how to build up the anatomy, the clothing, the accessories, and then bring it together into a finished product. But for newbies, these crucial details are generally omitted and do little other than encourage the neophyte to replicate the specific image. So it omits those "magical mystery steps" that are actually useful for fleshing out a drawing. It also provides very little information that is useful for then going on to create your own image.

If you will click the "Look Inside" link above, I'll mention a few things about the images you can see in the preview to illustrate how you are better off avoiding this book. For example, the second image is a tiger warrior. If you'll look at his torso, the area of the diaphragm between the pectoral and abdominal muscles has been "fudged" into part of the abdominal complex. The torso has no depth and the sense of musculature is very poor. Likewise, the shoulders are not well placed on the body. The right arm in particular is almost completely detached. The fox girl on the sixth preview page is poorly posed. The line of her body suggests her weight is evenly distributed and not shifted primarily to her left foot. Yet her right foot only has the tips of the toes touching the ground, suggesting it bears little or no weight. This is simply poor development of the pose and a lack of any real sense of how the body moves both physically and artistically. Further into the preview, there are pages about "Character Consistency at Different Angles." However, the different illustrations are of different characters, clearly avoiding the challenge of actually maintaining consistency of the **same** character at different angles. Look through the preview pages of this book and ask yourself, "Do I really want to limit my artistic development by only learning to draw like this fellow?" Especially when it is evident that he, himself, cannot draw.

If you are looking for good instructional books there are many out there that are more tried and true for aspiring cartoonists. These include:
Drawing on the Right Side of the Brain
How to Draw Comics the Marvel Way (Despite the "How to Draw" part of the title, this book provides a good look at figure drawing, composition, storytelling, and other very basic artistic elements as they apply to the comic book industry. Though a bit dated, it has stood the test of time for many generations of aspiring comic artists.)
Drawing the Head and Figure by Jack Hamm
Drawing Animals by Jack Hamm
Dynamic Anatomy by Burne Hogarth (Hogarth approaches anatomy more like an architect or mathematician, but the book provides a very solid sense of the human figure as a series of more complex geometric relationships that move beyond the more basic shapes conveyed in many figure drawing books.)

If you are interested in drawing anthropomorphic characters specifically, I would suggest pairing the two books by Jack Hamm mentioned above and grabbing "How to Draw Comics the Marvel Way" if you can get it as well. By learning to draw both regular humans and animals well, you will equip yourself with the knowledge and skill to combine those subjects into amazing, fanciful furry creatures that will put Christopher Hart's by-the-numbers characters to shame.

And if you want to get a bit more cartoony, "Action! Cartooning" and "Fantasy! Cartooning" by Ben Caldwell are better purchases than Christopher Hart's books. They suffer some of the same writing flaws, but Caldwell is definitely a superior artist compared to Hart.

If you'd really like to give this book a more thorough look I would suggest seeing if your local library has it or thumb through it at a bookstore. It is ultimately up to the buyer and aspiring artist to determine if this book will be of any use to them. However, I would personally advise against buying any of these niche books - especially those by Christopher Hart. Drawing any subject, be it fantastic or mundane, is a process of learning to observe, training the hand to produce what is in the world and in the mind, and practice practice practice. The Christopher Hart books attempt to cash in on those looking for shortcuts and easy fixes to drawing a particular subject or style, but true artists learn to do that by taking the fundamental principles of art and adapting them through observation of another artist's style or crafting their own unique fantasy and sci-fi characters and creatures. Many aspiring "manga/anime" artists don't realize that the true professional creators of the anime and manga they enjoy first learned to draw realistically and learned the basics as any art student would. Then they later took these fundamentals and adapted them into a more stylized approach.

There is no substitute for learning the fundamentals of art and illustration before you begin to focus on particular subjects and styles. No book will provide easy shortcuts that will do anything but hinder your artistic development. In short, no book will replace hard work and practice. Rather than throwing money away on this book, check out the resources at your library, look through books at stores, and look at resources online developed by communities of artists. (For example, Ben Caldwell has a forum where many learning, amateur, and even professional cartoonists share drawings, discussions, and ideas.)

16 of 22 people found the following review helpful.
NOT A Book For Furries (or How to Draw Them)
By Preyfar
This is not a book for people who want to learn to draw furries, let alone a book for people who want to learn to draw. It's flawed, and I feel that the author has no idea what furries are, let alone how to properly draw them. More than that, the book has some serious errors. Look at the previews provided by Amazon. Notably, look at the illustration on page 12. The human-hybrid at the bottom of the page stands on plantigrade legs (bi-pedal, straight human-like legs), yet his left leg's tibia is curved at an awkward, bizarre angle. Unless you have scurvy your legs really should not bend like that. The author tried to cover them up with pants, but there would still be a proper line where the leg's form would be, not curved in concave. Go do a search for tibia/legs. They do not bend that way, and you should NOT buy a book wherein such a huge anatomical flaw is present within the first few pages.

I could go into more flaws, but this review would end up 10X as long. Just ask yourself if you want a "how to draw" book by somebody who has glaring anatomical flaws. This will not help you learn, but hinder you.

If you want to draw furries all you really need are two things: solid books on human anatomy (90% of drawing a furry is drawing people) and a good book on drawing animals. Replace a head, add in a tail... bam. Mix and match parts, and experiment. Drawing furries are ridiculously easy. There really is no "trick" to drawing furries, and you'd be better off spending you money on books that focus on anatomy (which is, at its base, one of the most important parts of figure drawing). If you really want to spice things up, look for books on drawing monsters or dragons (I recommend the Dragonart series by Jessica "Neondragon" Peffer here on Amazon). Those are good books with great examples, and they'll you far better.

Drawing furries is fun, but you'd be better off spending your money on other, better resources.

4 of 6 people found the following review helpful.
to full animal style furry focused
By Terrell
it has a lot of furries with animal style faces but not many with human style faces & animal features. there is a zebra girl on the back of the book that has the more human style but you probably only see about one or two more actually like her in the book. there is also a lot of furries in the book without guides on how to draw them. not that impressive a book for learning but it is good book for more looney tune style furries or so.

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Selasa, 19 Agustus 2014

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El más reciente de los libros que componen el Antiguo Testamento nos deja perplejos: pronto a llegar el día del Señor distan, no obstante, cuatrocientos años entre Malaquías y el nacimiento de Jesús de Nazaret. Son cuatrocientos años de Silencio: El Silencio de Dios trata de este período que no sólo guarda mutismo para la religión, sino también para los historiadores. Se trata del llamado período intertestamentario, el que separa en el tiempo al Antiguo del Nuevo Testamento. ¿Qué sucedió en este período? ¿Por qué no hay obras escritas en la Biblia hasta el nacimiento de Jesús? ¿Hay obras escritas, pero fueron dejadas «fuera» de la Biblia, no siendo aceptadas por judíos ni cristianos? Descubra que se esconde en El Silencio de Dios; cómo, en este período de tiempo, se desarrollarían las sectas judías en las que se desenvolvería Jesús, así como otros grupos considerados «heréticos». Después de leer esta obra, podrá descubrir el velo que se esconde detrás de conocimientos que fueron privados a la humanidad y prohibidos por siempre. Acceda, finalmente, de forma rigurosa y al mismo tiempo amena, a los escritos apócrifos del Antiguo Testamento, manuscritos ocultos, secretos y prohibidos que contribuyeron al desarrolló del cristianismo y de la cultura judeo-cristiana

  • Sales Rank: #940953 in Books
  • Published on: 2011-01-05
  • Original language: Spanish
  • Dimensions: 8.27" h x 1.09" w x 5.91" l,
  • Binding: Paperback
  • 480 pages

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Selasa, 12 Agustus 2014

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  • Published on: 1997-03-01
  • Binding: Paperback

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[Y487.Ebook] Ebook Building a Sustainable Supply Chain (DoShorts), by Gareth Kane

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No longer can companies constrain their corporate responsibility within the factory fence, as that boundary is not recognized by outside observers. This situation is exacerbated by the fact that the majority of most organizations’ environmental footprint lies in their supply chain. This means that, to address the sustainability agenda in a meaningful way, they must tackle the impacts of their suppliers. Unfortunately this is a huge challenge as visibility and influence diminishes quickly as you start to work your way down through the layers of suppliers.

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  • Sales Rank: #7900683 in Books
  • Published on: 2013-10-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.27" h x .20" w x 5.83" l, .26 pounds
  • Binding: Paperback
  • 77 pages

About the Author
Gareth Kane is an internationally recognized environmental and sustainability expert. He has appeared as a media pundit on sustainability issues on, for example, the BBC “Six O’Clock News”, “Countryfile”, “The Politics Show” and local radio. In 2008 The Journal newspaper named Gareth as a “Rising Star, Future Leader” for his work on sustainability. Gareth’s consultancy Terra Infirma has a client list including the BBC, BAE Systems plc, Johnson Matthey plc, the NHS and East Coast Mainline. Gareth is the author of two books on business and sustainability, most recently The Green Executive.

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