Senin, 29 April 2013

[Y741.Ebook] Free Ebook Deconstructing the Hero: Literary Theory and Children's Literature, by Margery Hourihan

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Deconstructing the Hero: Literary Theory and Children's Literature, by Margery Hourihan

Deconstructing the Hero: Literary Theory and Children's Literature, by Margery Hourihan



Deconstructing the Hero: Literary Theory and Children's Literature, by Margery Hourihan

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Deconstructing the Hero: Literary Theory and Children's Literature, by Margery Hourihan

This book sets out to explore the structure and meanings within the most popular of all literary genres - the adventure story. Deconstructing the Hero offers analytical readings of some of the most widely read adventure stories such as Treasure Island , the James Bond stories and Star Wars. The book describes how adventure stories are influential in shaping children's perception and establishing values.
When many of these stories define non-white, non-European people as inferior, and women as marginal or incapable, we should be worried about what they are teaching our children to think. Margery Hourihan shows how teaching children to read books critically can help to prevent the establishment of negative attitudes, discourage aggression and promote values of emotion and creativity.

  • Sales Rank: #1661409 in Books
  • Published on: 1997-11-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .60" w x 6.14" l, .91 pounds
  • Binding: Paperback
  • 264 pages

Most helpful customer reviews

11 of 13 people found the following review helpful.
Buy it if you need someone to bash in your footnotes.
By A Customer
The title of this book would lead any buyer to believe that it offers fresh insight into a mainstay of literature - the hero - an insight that promises a dissection of those myths, fantasies, epics and legends with which all readers are, to diferent extents, familiar. Be it as academic, teacher, reader or film watcher, cartoon and comic book afficionado, or role-player (the list is huge), the works open to deconstruction are expansive and the opportuntities this book offered limitless. Instead we get a hodge-podge of destruction, not deconstruction, as Hourihan veers wildly from genre to genre and across expanses of time without any acknowledgement of their significance. Throughout this book the reader will find superficial and unsubstantiated assertions which the writer fails to adequately explore and which are often undercut by misunderstandings and shallow interpretations of themes, errors of plot analysis, descriptive mistakes when outlining events and inadequately researched analysis of textual allusions. Finally the condescension that Hourihan seems to hold for those readers who do not share her view, that these narratives are white male supremacy in action, that according to her, 'cling' to tales that are 'vivid, enjoyable, easily understood, memorable and compelling' sets the tone of the entire book but says much more about her than about the works supposedly under analysis. The one redeeming feature is her description of the theories supposedly underlying her book - the author's failure to make adequate use of them in her analysis is one of its many failings.

2 of 2 people found the following review helpful.
thought provoking if ...
By L. Guilar
This is a book that maps out a territory, summarising what's known about it, without being the definitive guide. I bought this book as I was looking for background information for a unit of work on children's literature. I needed a geneal starting point that would introduce me to the theories I needed to deal with. As I wasn't looking for any answers, just things to think about, I found it very useful. Even when disagreeing with what she was saying or how she was applying the theories she was describing, I felt that she was provoking a response and forcing me to justify why i disagreed with her. I found it a invaluable starting point for the work I wanted to do and would recommend it to anyone as just that, a starting point in a very involved and involving debate. The book is uneven in its treatment, possibly a litle patronising (which is ironic) but it is an effective and readable introduction to this field of study and at least after reading it you will have some idea of the territory.

0 of 0 people found the following review helpful.
This nut thinks The Wonderful Wizard of Oz is bad and based on her ...
By MadMan0141
This nut thinks The Wonderful Wizard of Oz is bad and based on her views I'm sure she has even less to contribute to society. Books like this are just silly and offer no real value except to prove that opions are shared by all living things in this world and should not be taken at face value. Yes I know I'm closer to a GED than a PHD but Margery is just acting silly with her conclusions.

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Selasa, 16 April 2013

[N866.Ebook] Free PDF Who Needs Balanced Trade? Who Needs a Balanced Budget?, by Joseph M. Firestone

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Who Needs Balanced Trade? Who Needs a Balanced Budget?, by Joseph M. Firestone

The United States has run trade deficits for nearly 40 years now. Many are convinced that this is the primary factor explaining the migration of “American jobs” overseas, a stagnant economy, and our accelerating levels of inequality. A balanced trade policy, reducing trade deficits to near zero, will, it is claimed, support lower unemployment by keeping “good jobs” here, drive wages up rather than down, be more sustainable, and won't contribute to a collapse of the global economy.

But, there is an important truth of macroeconomics to be considered. “Exports are real costs; and Imports are real benefits.” So, the issue is, would we rather send fiat money to other nations and add to our real wealth in return, or would we rather add to their real wealth and get their fiat money, or our old fiat money back in return? Other things being equal, we'd prefer the first alternative rather than the second: trade deficits are better than trade surpluses, at least in the short run.

Other things are not equal, however, since if the Government running trade deficits does nothing to compensate for their shorter and longer-term effects, then these will create a political reaction de-stabilizing any trade policy resulting in continuous trade deficits. However, their negative effects can be avoided without implementing “balanced trade” as a continuous policy. How that can be done is the subject of this book. It looks at trade policy in the broader context of budgetary and fiscal policy, and the relations among the foreign, domestic private, and government sectors of the economy. And, since the trade balance impacts the private sector and the government balance, it argues for an integrative view of trade and fiscal policy in relation to public purpose, and also proposes changes to Government institutions to facilitate integrated trade and fiscal policy.

The book analyzes and critiques:: Free Trade Policy; Balanced Trade Policy (including Warren Buffett's proposal); three types of Fair Trade Policy; Trade for Public Purpose Policy; Impact Assessment for Trade Policy; Balanced Budget Fiscal Policy; Deficit Neutrality in the Long Run Fiscal Policy; Budgeting for Public Purpose Fiscal Policy; A Holistic Approach to Trade and Fiscal Policy; and A Critique of the Current Trade Deals. Finally, the concluding chapter presents the book’s many conclusions, including some about the pending trade deals being negotiated by the Obama Administration, and an agenda relating fiscal and trade policies to public purpose. That agenda calls for much larger levels of deficit spending by the Federal Government than we have now, and it contends that continuous budget deficits are both necessary and desirable for the foreseeable future.

  • Sales Rank: #1216578 in eBooks
  • Published on: 2015-09-28
  • Released on: 2015-09-28
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Excellent. Strongly recommend it
By Nancy Bordier
Excellent. Strongly recommend it! Creates an urgently needed alternative to the current failed paradigm, one that integrates trade policy and fiscal policy. Firestone's new paradigm shows how to evaluate pending trade treaties such as the TPP and TTIP and why they should be rejected before they violate virtually every signatory's sovereignty.

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Jumat, 12 April 2013

[D487.Ebook] PDF Ebook Almost Home, by Ted N.C. Wilson

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Almost Home, by Ted N.C. Wilson

All around us today we see striking evidence that Jesus is coming soon. That's a reason to rejoice. But it's also a call for us to shake off our lethargy and get to work fulfilling the commission God has given us and preparing to meet Jesus when He returns. In Almost Home, Ted N.C. Wilson, our General Conference president, identifies the spiritual essentials for those who will live through the end times and witness Jesus' return.

  • Sales Rank: #2968024 in Books
  • Published on: 2012-09-24
  • Original language: English
  • Number of items: 1
  • Dimensions: .0" h x .0" w x .0" l, .0 pounds
  • Binding: Paperback
  • 160 pages

About the Author
Ted N.C. Wilson was elected president of the Seventh-day Adventist world church in July 2010 during the General Conference Session in Atlanta, Georgia, and is the son of former General Conference President Neal C. Wilson and Elinor E. Wilson. Pastor Wilson began his church career as a pastor in the Greater New York Conference, and has gone on to serve the church as an administrator in positions around the world, including executive secretary of the then Africa-Indian Ocean Division; president of the Euro-Asia Division in Moscow, Russia; and president of the Review and Herald Publishing Association in Hagerstown, Maryland. He is married to Nancy Louise Vollmer Wilson, and they have three married daughters, Emilie, Elizabeth and Catherine, and five grandchildren.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Excellent book for this time in earth's history.
By Maxwell
An excellent book by Elder Ted Wilson. I have read and reread this book. Each time it is a deeper blessing. It is currently the book I keep with me to read when I am waiting for someone or something. I have personally suggested this book to several friends.

1 of 1 people found the following review helpful.
Almost Home
By Dee
This book is a gift for my husband for Christmas so he has not yet read it; however, I did peak at several of the pages and once he reads it, I will do so as well. Having met Elder Wilson, I expect this will be a wonderful book.

0 of 0 people found the following review helpful.
Useful
By Chelsie
It is useful for our time. What a great encouragement to read the words in this book and see his heart is genuine for The Lord and His work! May The Lord come soon!

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Rabu, 10 April 2013

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  • Sales Rank: #8597632 in Books
  • Published on: 1601
  • Binding: Hardcover

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Jumat, 05 April 2013

[I922.Ebook] Get Free Ebook Suyama: A Complex Serenity, by Grant Hildebrand

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Suyama: A Complex Serenity, by Grant Hildebrand

George Suyama began his architectural practice in Seattle in 1971. His early career is marked by a number of notable designs in the contemporaneous wood idiom of the region. Over time, however, Suyama developed an architecture characterized by a search for minimalist simplicity, a paradoxical architecture of intense, even exciting, tranquility.

In 2002, he and partners Ric Peterson and Jay Deguchi established Suyama Peterson Deguchi. Their firm has built a distinguished reputation by means of designs influenced by the immediate region and by Suyama's ancestral Japan, which are intimately related to site and executed with an astonishing finesse of detail. Above all, their architecture reflects Suyama's quest to eliminate what he calls "visual noise," a quest that has yielded not visual silence but a kind of visual music. Architectural elements are distilled to a purity analogous to that of a musical tone, and relationships between those elements are as pure and artistically rich as the mathematics of music.

In Suyama: A Complex Serenity, Grant Hildebrand introduces the man and his work, discussing relevant aspects of Suyama's life, the influences that have shaped his beliefs, and twenty of his built and unbuilt projects that illuminate the development of his remarkable art and craft. Included also are appendices that illustrate Suyama's deep and long-standing involvement with the arts and product design.

  • Sales Rank: #1021563 in Books
  • Published on: 2011-03-02
  • Released on: 2011-03-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.50" h x 10.75" w x 1.00" l, 2.66 pounds
  • Binding: Hardcover
  • 176 pages

Review
"Smartly written and beautifully packaged . . . . Hildebrand eloquently illuminates the way Suyama's houses are puzzles that yield up their subtleties and secrets."―Michael Upchurch, Seattle Times, July 9 2011

"The images do a remarkable job communicating the design integral to Suyama's work, at the same time the presentation of lifestyles liberates and inspires. Most pleasing about the book is the sense of harmony and balance shared by each page."―BUILD

"His life and work are the subject of a gorgeous new book by Grant Hildebrand . . . Suyama: a Complex Serenity reveals via full color photographs of regional projects Suyama's trademark blend of Japanese minimalism and a Northwest emphasis on bringing the outdoors inside. Determined to eliminate 'visual noise,' Suyama designs structures simultaneously still and thrilling. How lucky we are to have such an artist bringing manmade beauty to our natural spaces."―Seattle Magazine

About the Author
Grant Hildebrand is a University of Washington professor emeritus of architecture and art history and author of seven books on architecture, including The Wright Space: Pattern and Meaning in Frank Lloyd Wright's Houses and Frank Lloyd Wright's Palmer House. He is a recipient of the Washington Governor's Writers Award for work of literary merit and lasting value.

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2 of 2 people found the following review helpful.
good book about great architecture
By Mortone
This book is about a signature designer in American architecture. If you are tired of the boxes and want to see what are the options get this book. His style is a mixture of Japanese traditional and modern. It is not austere Miesian but an up date of FLW Usonian.

0 of 0 people found the following review helpful.
Good read and photos
By Claudia
Excellent progression of his work.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
What im looking for....

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Rabu, 03 April 2013

[A333.Ebook] Free Ebook Ear, Nose & Throat Disorders for Primary Care Providers, by Gayle E. Woodson M.D, Gayle E. Woodson

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Ear, Nose & Throat Disorders for Primary Care Providers, by Gayle E. Woodson M.D, Gayle E. Woodson



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Ear, Nose & Throat Disorders for Primary Care Providers, by Gayle E. Woodson M.D, Gayle E. Woodson

This text serves as a practical aid to primary care physicians in managing clinical problems of the ears and upper aerodigestive tract. Introductory chapters review anatomy and physiology of the head and neck, emphasizing the salient components of the patient history and physical examination. Later chapters cover the latest clinical advances in the diagnosis and treatment of common disorders as well as the evaluation of more complex or obscure ailments. Coverage includes a helpful discussion of referral guidelines and surgical indications where appropriate.

  • Sales Rank: #2582801 in Books
  • Published on: 2000-08-23
  • Original language: English
  • Number of items: 1
  • Dimensions: .70" h x 7.40" w x 10.40" l,
  • Binding: Hardcover
  • 430 pages

About the Author
Gayle E. Woodson, MD, Professor of Otolaryngology, Department of Otolaryngology, University of Tennessee, Memphis, TN

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2 of 2 people found the following review helpful.
Suits its audience well
By Hello You
This is a nice little book going over anatomy, pathogenesis and some treatment of common ENT problems. The pictures are black and white and there not so many diagrams but the advice is solid and its very easy to read while in the office. If you supplement the book with Netter's Atlas of Anatomy, you can have a good grasp of things. Would have liked some disease example pictures but that probably would make the book longer.

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[S642.Ebook] PDF Download An Actor's Work: A Student's Diary, by Konstantin Stanislavski

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An Actor's Work: A Student's Diary, by Konstantin Stanislavski

Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre.

Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors.

The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century.

  • Sales Rank: #408884 in Books
  • Published on: 2008-01-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.40" h x 1.80" w x 6.60" l, 2.90 pounds
  • Binding: Hardcover
  • 728 pages

Review

'A lively new translation by Jean Benedetti ... Stanislavski was provocative, controversial – and, as An Actor's Work confirms, a genius.' – The Times of London

'A volume that clearly communicates the entire system ... it should be made required reading. - The Guardian

'Benedetti has done an excellent job... an elegantly presented and valuable volume... This volume is essential reading for anyone interested in acting, practically or academically, at all levels from schools to the industry.' - Times Higher Education

'A landmark achievement in Stanislavski studies ... essential reading for anyone interested in acting, practically or academically, at all levels from schools to the industry.' - Times Higher Educational Supplement

'Scrupulously precise.' – Marie-Christine Autant-Mathieu, Centre National de la Recherche Scientifique, Paris

'A far more authentic Stanislavsky … A valuable new translation, which is fuller and more readable than anything else previously attempted.' – Laurence Senelick, Tufts University, Boston, USA

'Very readable … A vast improvement.' – Bella Merlin, University of Exeter, UK

'Jean Benedetti has brought his usual extensive scholarship and thorough knowledge of Russian to provide a version that is more complete, much more accurate, and more readable [than the previous translation].’ – Richard Hornby, University of California, Riverside, USA

'Benedetti, the author of several previous books on Stanislavski, has both improved and expanded upon the Hapgood editions, and the result is a longer yet much more readable text. ' – Libray Journal

'The twin bibles of acting books, Stanislavsky's An Actor Prepares and Building a Character, which have been recently re-translated into a single tome.' – American Theatre

'This volume is a must for theater collections... Essential. All readers, all levels.' - CHOICE

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36 of 38 people found the following review helpful.
Finally... Stanislavski As He Intended To Be Read
By Enamorato
Stanislavski is a familiar name in theatre circles. The legendary director of the Moscow Art Theatre wrote perhaps some of the most influential work on acting in the last century. I could list the big names who cite his influence (most famously, Marlon Brando and Sir John Gielgud), but the fact is his teachings have become so much a part of the way we approach theatre, that almost any actor in the English-speaking world (and abroad) can claim at least some influence.

Unfortunately, most English-speakers are familiar with Stanislavski's `system' in the considerably problematic translation by Elizabeth Hapgood. What's more, the form that translation took (as two separate books, the famous "An Actor Prepares" and "Building a Character") misrepresented Stanislavski's original intentions. In actuality, "An Actor Prepares" and "Building a Character" are two parts of a larger book, called "An Actor's Work on Himself." In the Soviet Union, they were published as volumes one and two of the same book.

Hapgood worked with Stanislavski on an early edition of the first half of the book, which in her translation would become "An Actor Prepares." However, Stanislavski continued revisions on the book after Hapgood had returned home to America in 1935. The translation that was published, in addition to being abridged to half the original's length, was also missing the subsequent revisions that Stanislavski released in a Soviet edition three years later just before his death. Stanislavski did not live to complete part two. Hapgood received fragments from Stanislavski's son, Igor. Not knowing that these were meant as a completion to a single holistic system, she published them as "Building a Character."

This new edition, called simply "An Actor's Work," reunites the two volumes at last. Translator Jean Benedetti is also an erudite scholar of the life and work of Stanislavski one whom he has published several definitive biographical works. The translations themselves are somewhat stilted, but still a major improvement over the Hapgood translations, which remain the most widely circulated versions of Stanislavski's work. Part One is finally presented unabridged. Benedetti's reconstruction of the unfinished Part Two (from a motley selection of fragments amassed after Stanislavski's death) is graceful and readable.

What is most striking, however, are the huge implications this new edition has on the way Stanislavski's system is currently understood. Part One of "An Actor's Work" dealt with the psychological construction of a role. Part Two was to elaborate on the physical training of the actor. Stanislavski stressed the importance of voice and movement training for the actor. Unfortunately, this second (and vital) half of the work went largely ignored in drama schools where "An Actor Prepares" became the standard text. (Stanislavski's original system, fortunately, made it back to the U.S. through Stella Adler who had studied with him for a brief period in Paris.) Thus, a huge emphasis was placed on psychology, when the implications on physicality went largely ignored.

The fact that Part Two was never completed is not much of a disaster. As Benedetti notes, it is really only of historical interest. Actors today have much more sophisticated methods at their disposal, such as the Alexander Technique and Kristen Linklater's approach to voice training (I recommend her Freeing the Natural Voice).

"An Actor's Work" is poised to become the definitive edition of Stanislavski for the next generation. It presents the first really viable alternative to Hapgood's translations. The fact that the hardcover edition is less expensive than the combined cost of Hapgood's "An Actor Prepares" and "Building a Character" should also not go unnoticed.

10 of 10 people found the following review helpful.
A clearer, more revealing legacy
By Midwest Book Review
Jean Benedetti provides the modern translation of this classic text on actor training, a recommended pick for any college-level collection strong in drama theory and actor training. His offers a more accurate new translation of the classic, critiquing Method acting and its legacy and putting Stanislavski's two-volume work back under one cover as he originally intended. The result is a clearer, more revealing legacy than the prior translation, and deserves a spot in any serious college-level acting library.

5 of 5 people found the following review helpful.
Great Actor's Book!
By Ingrid Torrance
This book combines "An Actor Prepares" and "Building a Character" for a complete text on Stanislavsky's teaching. It's a large book but very readable, and it puts you right in the rehearsal room. A must for any student of acting and certainly one of the books I believe acting students need to read. You get so much information from this book, it's a read over and over work book!

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